The Sleeve: The Liner/Sleeve Notes: “DENNIS SCOTT or Uncle “D” as he is known to children across Western Canada was born and raised in London, England, where he trained as a teacher. In 1968 he emigrated to Canada and continued to follow his chosen profession. However, God was moving in his life and his spiritual... Read More »
The Sleeve: The Liner/Sleeve Notes: “A HAPPY BLENDING OF SECULAR AND CONTEMPORARY MUSIC This album contains a dramatic rebuttal to those who decry the lack of interest in things religious among the youth of today. One of our finest gospel singing groups, The Blackwood Brothers Quartet, have here created a happy blending of secular and... Read More »
The Sleeve: The Gatefold: The Liner/Sleeve Notes: “His career was brief and ended suddenly at the age of 29 on New Years Day, 1953. By that time the legendary Hank Williams had gone from a poor country boy to becoming one of the best-loved performers in country music. People who were fortunate enough to have... Read More »
The Sleeve: The Liner/Sleeve Notes: “Charles P. Eisenmann, world renowned dog educator, who through his frequent personal appearances on the Mike Douglas. Johnny Carson and Merv Griffin shows, to name a few, has become know to millions of tv viewers as “Chuck.” Probably the most remarkable family in California today are the Eisenmanns, Chuck and... Read More »
The Sleeve: The Liner/Sleeve Notes: None. Personal Review: So, I know nothing about this band, nor have I ever, ever heard of them. I simply liked the cover and the special price sticker, so I bought it. The album opens with “Rock N’ Roll Star” (which isn’t the usual opening track, but this is the... Read More »
The Sleeve: The Liner/Sleeve Notes: “If I had to describe Fay Sims in one sentence , it would be this: He is one of the best friends that there has ever been to people in Gospel Music. He has helped so many groups in so many ways, it would be impossible to list them all... Read More »
The Sleeve: The Liner/Sleeve Notes: “Donna and I thought we were really in love when we were engaged, but after we were married we discovered what love was all about. Then when little Patricia Deann came along a year and a half later, our love sprang into new dimensions. There is nothing quite like a... Read More »
The Sleeve: The Gatefold: The Liner/Sleeve Notes: “When you first hear Jeremy sing, you’re not sure if your ears are being totally honest. You stop, listen again, and then realize that what you are hearing is a sensitive, new, different and totally interesting sound. A voice that will be readily recognizable the very next time... Read More »
The Sleeve: The Gatefold: The Liner/Sleeve Notes: None. Personal Review: I don’t know much about Jonathan Edwards – and by much, I mean anything at all, I liked the cover design and how Jonathan looked so I figured what they hey, why don’t I buy it? So, I did. “Everybody Knows Her” opens the album,... Read More »
The Sleeve: The Liner/Sleeve Notes: None. Personal Review: I don’t got much to say about this album, I’m pretty sure Robert David is Canadian…? The album opens with “Close to Me” and Robert is a softer voiced man, you wouldn’t expect this from the cover of this album. The song is alright, nothing overly special,... Read More »
The Sleeve: The Liner/Sleeve Notes: None. Personal Review: Gonna be really honest, I bought this album solely for the cover – not knowing exactly what the music would be like, I just really liked the album cover. The A-Side is “How Much, How Much I Love You” – and it’s a 17 minute disco track,... Read More »
The Sleeve: The Liner/Sleeve Notes: “WE COME OUT TO PLAY – and we’ve been coming out to play since March 1972 when the idea of the three Saunders brothers Don, Ted and Doug sparked and grew into what is now the York Lions Steel Band. The spark was kindled when the group acquired a set... Read More »
The Sleeve: The Liner/Sleeve Notes: None. Personal Review: So, this album is among the ranks of those rare folk albums that you see very little of, that have surprisingly good songs on them. Anyways, the album opens with a cover of Crosby, Stills & Nash’s “Our House” – though, I’ve heard both versions (this and... Read More »
